The Classroom As Crucible
Imagining the multicultural classroom
as a microcosm of the global society
by Saul E. Arbess
One of the articles in The Way Of Learning (IC#6) Summer 1984, Page 31
Copyright (c)1984, 1997 by Context Institute
FOR THE PAST 12 YEARS I have labored in the vineyard of, firstly, Indian
Education and then Multicultural (Multiethnic) Education, primarily in the
public schools of British Columbia.
I have been a staunch advocate of the rights of all peoples and the cultures
they carry to be fairly and adequately represented in the curricula of the
schools. I was the Director of Indian Education in B.C. for 7 years (1976-83)
and vigorously pursued a policy which sought both fair representation in
the school program through locally developed curricula by and about native
peoples, and considerations of appropriate instructional strategies sensitive
to the learning styles of native children. Another goal was the building
of a classroom environment concerned with the quality of teacher/child and
child/child interaction in order to generate greater classroom participation
by native children.
However, when a similar policy was pursued in the multicultural classroom
(which most classrooms in North America tend to be), an increasingly difficult
task was presented to the teacher and curriculum designer. How was it possible
to develop what were, in effect, separate and distinct culturally appropriate
programs for children of perhaps half a dozen, or even more, cultural backgrounds?
More and more ethno-cultural organizations were demanding that the curriculum
include language teaching, cultural history and folk elements of their cultures
which reflected the interests of their adult world. These groups attempted
to, in part, displace the representation of the mainstream culture in the
curriculum. It was a win/lose proposition with each group trying to gain
equal time.
The results of this were mixed. On the one hand the effort to come to
grips with cultural diversity was a highly beneficial exercise and the
multiculturalization
of the curriculum was laudable - it went beyond assimilation to cultural
pluralism.
On the other hand, with both the native peoples and the ethno-cultural
groups, the culture they wished to project in the classroom was full of
the myth of the golden past. In any event, it was a static view of culture
and, at its worst, encouraged a myopic parochialism. There was little candor
or critical view of either past or present (an observation that applies
to the mainstream culture as well). Teachers became increasingly concerned
that they were violating the cultures of the minority children by reflecting
their own culture in the classroom. This led to paralysis on the part of
some teachers and a kind of cultural drift and balkanization.
Yet where were the children in all this? Many felt alienated from the
aspects of their cultures of origin that they were being taught in the schools
- essentially folk elements. The younger ones were often disinterested;
the older ones felt imposed upon by the adult world. They weren't consulted
here any more than in any other part of the curriculum. It certainly wasn't
their culture that was being communicated.
I became increasingly uneasy with this state of affairs, especially the
gulf between the multicultural classroom and the imperative of our time
to develop a global culture which strengthens the common core of all people
and celebrates local diversity. Multiculturalism, as most often dealt
with in the schools, expresses a static notion of culture and, with its
"equal time" approach to each ethno-cultural group, reflects the
divisive nature of nation states. It enshrines cultural nationalism in the
classroom and therefore runs counter to the movement towards a global perspective
and a unitive consciousness.
We need to move away from a static replication or cloning model of culture
to one which is dynamic and transformational. We also need to see the multicultural
classroom as a crucible of change, and we especially need to bring in the
children as co-creators of culture and co- inventors of the future. In this
view we learn from the children as they learn from us, and curriculum is
a dynamic emergent entity based upon need and the real world.
The multicultural classroom can be seen as a microcosm of the global
society. Out of its diverse strands we can create a new culture by building
upon the common core of all cultures and, at the same time, encourage diversity.
This is a both/and approach. This emergent culture does not replicate either
the home environment or the community but looks outward to embrace the globe
itself. It connotes the unity of the generations in seeding the future with
vision and hope. It transcends parochialism and stereotyping - positive
or negative. It encourages people - teachers and students - to meet and
see each other as they are, without labels, and brings adults and youth
together to negotiate a shared movement towards the future. The curriculum
content would be constantly being invented as it responds to the real issues
and imperatives of our time as seen by both adults (teachers) and
children (students). The division between the two is entirely blurred when
we are moving together this way into the unknown.
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